{"id":6744,"date":"2022-11-03T15:27:50","date_gmt":"2022-11-03T14:27:50","guid":{"rendered":"https:\/\/ricerche.apaonline.it\/?post_type=ricerca&#038;p=6744"},"modified":"2022-11-11T12:16:05","modified_gmt":"2022-11-11T11:16:05","slug":"la-natimortalita-2020-2021-dal-registro-delle-imprese-eng","status":"publish","type":"ricerca","link":"https:\/\/ricerche.apaonline.it\/en\/research\/employment-in-the-audiovisual-sector-and-female-presence\/la-natimortalita-2020-2021-dal-registro-delle-imprese-eng\/","title":{"rendered":"Entry and exit rates at the Business Register 2020-2021"},"content":{"rendered":"\n<p>The entry and exit balance at the Business Register during the first year of the pandemic showed a strong reduction in registrations and a persistent stagnation of business terminations .<br>Today it is possible to detail the entry and exit flow data over the two years 2020-2021, both for the real economy and, more specifically, for the audiovisual sector, which presents peculiar trends compared to the rest of the economy.<\/p>\n\n\n\n<p><br>Focusing the analysis on business registrations after 2020, when the audiovisual industry recorded a contraction of new businesses (57 total), like the general economy, in 2021, the outcome was positive, bringing the sector\u2019s birth rate back to levels even higher than those recorded in 2019 (+35). On the contrary, the real economy that lost nearly 61,000 businesses in 2020 was joined by a further loss of over 20,000 in 2021.<\/p>\n\n\n\n<p><br>Among the countertrend sectors, theatrical production recorded negative data almost entirely in 2020, while in 2021, it increased by +29, reaching 293 new companies.<\/p>\n\n\n\n<p>The only negative sector was post-production, which after the 18 businesses in 2020, lost another 6 in 2021.<\/p>\n\n\n\n<p class=\"titolo_grafico_con_sottotitolo\"><strong>Business entries and exits within the audiovisual core<\/strong><\/p>\n\n\n\n<p class=\"sottotitolo_grafico\">Years 2019, 2020 and 2021 (absolute value)<\/p>\n\n\n\n<p><strong>BUSINESS ENTRIES<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-table is-style-stripes table\"><table><tbody><tr><td><strong>Ateco<\/strong><\/td><td><strong>Ateco&nbsp;<\/strong><strong>Classification<\/strong><strong><\/strong><\/td><td><strong>2019<\/strong><strong><\/strong><\/td><td><strong>2020<\/strong><strong><\/strong><\/td><td><strong>2021<\/strong><strong><\/strong><\/td><td><strong>diff.&nbsp;20\/19<\/strong><strong><\/strong><\/td><td><strong>diff.&nbsp;21\/19<\/strong><strong><\/strong><\/td><\/tr><tr><td>5911<\/td><td>Theatrical, video &amp; TV production activities<\/td><td>264<\/td><td>218<\/td><td>293<\/td><td>-46<\/td><td>29<\/td><\/tr><tr><td>5912<\/td><td>Theatrical, video &amp; TV post-production activities<\/td><td>66<\/td><td>48<\/td><td>60<\/td><td>-18<\/td><td>-6<\/td><\/tr><tr><td>5913<\/td><td>Theatrical, video &amp; TV distribution activities<\/td><td>0<\/td><td>4<\/td><td>3<\/td><td>4<\/td><td>3<\/td><\/tr><tr><td>5914<\/td><td>Exhibition&nbsp;activities<\/td><td>9<\/td><td>13<\/td><td>14<\/td><td>4<\/td><td>5<\/td><\/tr><tr><td>6020<\/td><td>TV programming &amp; broadcasting&nbsp;activities<\/td><td>8<\/td><td>7<\/td><td>12<\/td><td>-1<\/td><td>4<\/td><\/tr><tr><td><strong>AV CORE<\/strong><strong><\/strong><\/td><td><strong>Audiovisual CORE<\/strong><strong><\/strong><\/td><td><strong>347<\/strong><strong><\/strong><\/td><td><strong>290<\/strong><strong><\/strong><\/td><td><strong>382<\/strong><strong><\/strong><\/td><td><strong>-57<\/strong><strong><\/strong><\/td><td><strong>35<\/strong><strong><\/strong><\/td><\/tr><tr><td><strong>TOTAL<\/strong><strong><\/strong><\/td><td><strong>TOTAL ECONOMY<\/strong><strong><\/strong><\/td><td><strong>353,052<\/strong><strong><\/strong><\/td><td><strong>292,308<\/strong><strong><\/strong><\/td><td><strong>332,596<\/strong><strong><\/strong><\/td><td><strong>-60,744<\/strong><strong><\/strong><\/td><td><strong>-20,456<\/strong><strong><\/strong><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p><strong>BUSINESS EXITS (ex officio)<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-table is-style-stripes table\"><table><tbody><tr><td><strong>Ateco<\/strong><\/td><td><strong>Ateco&nbsp;<\/strong><strong>Classification<\/strong><strong><\/strong><\/td><td><strong>2019<\/strong><strong><\/strong><\/td><td><strong>2020<\/strong><strong><\/strong><\/td><td><strong>2021<\/strong><strong><\/strong><\/td><td><strong>diff.&nbsp;20\/19<\/strong><strong><\/strong><\/td><td><strong>diff.&nbsp;21\/19<\/strong><strong><\/strong><\/td><\/tr><tr><td>5911<\/td><td>Theatrical, video &amp; TV production activities<\/td><td>292<\/td><td>289<\/td><td>246<\/td><td>-3<\/td><td>-46<\/td><\/tr><tr><td>5912<\/td><td>Theatrical, video &amp; TV post-production activities<\/td><td>37<\/td><td>30<\/td><td>23<\/td><td>-7<\/td><td>-14<\/td><\/tr><tr><td>5913<\/td><td>Theatrical, video &amp; TV distribution activities<\/td><td>7<\/td><td>6<\/td><td>6<\/td><td>-1<\/td><td>-1<\/td><\/tr><tr><td>5914<\/td><td>Exhibition&nbsp;activities<\/td><td>52<\/td><td>26<\/td><td>27<\/td><td>-26<\/td><td>-25<\/td><\/tr><tr><td>6020<\/td><td>TV programming &amp; broadcasting&nbsp;activities<\/td><td>21<\/td><td>14<\/td><td>10<\/td><td>-7<\/td><td>-11<\/td><\/tr><tr><td><strong>AV CORE<\/strong><strong><\/strong><\/td><td><strong>Audiovisual CORE<\/strong><strong><\/strong><\/td><td><strong>409<\/strong><strong><\/strong><\/td><td><strong>365<\/strong><strong><\/strong><\/td><td><strong>312<\/strong><strong><\/strong><\/td><td><strong>-44<\/strong><strong><\/strong><\/td><td><strong>-97<\/strong><strong><\/strong><\/td><\/tr><tr><td><strong>TOTAL<\/strong><strong><\/strong><\/td><td><strong>TOTAL ECONOMY<\/strong><strong><\/strong><\/td><td><strong>326,423<\/strong><strong><\/strong><\/td><td><strong>272,992<\/strong><strong><\/strong><\/td><td><strong>246,009<\/strong><strong><\/strong><\/td><td><strong>-53,431<\/strong><strong><\/strong><\/td><td><strong>-80,414<\/strong><strong><\/strong><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p class=\"fonte_grafico\">Source: Symbola Foundation elaborations on Infocamere data&nbsp;<\/p>\n\n\n\n<p>These results can also be read in relative terms, breaking down the two-year period 2019\/2021 into two years.<br>What emerges is that while the 2021 overall economy hasn\u2019t yet managed to compensate for the losses of 2020 (the -17.2% in 2020 was followed by a contribution compared to 2019 of +11.4% in 2021, but the 2021\/2019 balance was still negative, reporting a -5.8%), in the case of the audiovisual sector, there was a negative variation of -16.4% in 2020 which was offset by a contribution in 2021 compared to 2019 of +26.5% with a final algebraic positive overall percentage of +10.1% between 2021 and 2019.<br>These results are due to theatrical productions, which reported -17.4% in 2020 but then +28.4% in 2021 for a final positive two-year balance of +11.0%.<\/p>\n\n\n\n\n<div id=\"grafico-block_615958051d98d\" class=\"grafico mb-5\">\n\n     <p class=\"titoletto pt-2 mb-3 bd\">The audiovisual business birth rate over a two-year period: contribution of 2020 and 2021 to the overall variation in the 2021\/2019 business registrations<br \/>\n          <span class=\"small text-black-50\">Years 2019-2021 (percentage variations)<\/span>     <\/p>\n\n          <img decoding=\"async\" src=\"https:\/\/ricerche.apaonline.it\/website\/wp-content\/uploads\/2022\/11\/SYMBOLA_Le-attivita-audivisive_ITA_04.png\" class=\"img-fluid\" \/>\n     \n          <!--p class=\"small text-black-50 \"><br\/-->\n     <p class=\"fonte_grafico mt-2\">Source: Symbola Foundation elaborations on Infocamere data<\/p>\n     \n<\/div>\n\n\n<p>On a regional basis, for the same two years, the registration balance for the audiovisual core is not entirely positive. Whereas in 2021, Veneto, Lazio, and Campania recorded extremely positive recoveries (+10, +16, and +12 new businesses), overcoming the 2019 negative counts, Piedmont and Tuscany are still below the pre-Covid birth rate, with an overall negative balance (-11 and -10 new companies), while the other regions stand at values similar to those of 2019.<\/p>\n\n\n\n<p class=\"titolo_grafico\"><strong>Breakdown of business entries within the audiovisual core by Italian regions<\/strong><\/p>\n\n\n\n<p class=\"sottotitolo_grafico\">Years 2019, 2020 e 2021 (absolute value)<\/p>\n\n\n\n<p><strong>BUSINESS ENTRIES<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-table is-style-stripes table\"><table><tbody><tr><td><strong>Regions<\/strong><\/td><td><strong>2019<\/strong><\/td><td><strong>2020<\/strong><\/td><td><strong>2021<\/strong><\/td><td><strong>diff.<\/strong><strong>&nbsp;<\/strong><strong>20\/19<\/strong><\/td><td><strong>diff.<\/strong><strong>&nbsp;<\/strong><strong>21\/19<\/strong><\/td><\/tr><tr><td>Piedmont<\/td><td>33<\/td><td>23<\/td><td>22<\/td><td>-10<\/td><td>-11<\/td><\/tr><tr><td>Valle d&#8217;Aosta<\/td><td>1<\/td><td>2<\/td><td>1<\/td><td>1<\/td><td>0<\/td><\/tr><tr><td>Lombardy<\/td><td>78<\/td><td>67<\/td><td>82<\/td><td>-11<\/td><td>4<\/td><\/tr><tr><td>Trentino-Alto Adige<\/td><td>23<\/td><td>11<\/td><td>18<\/td><td>-12<\/td><td>-5<\/td><\/tr><tr><td>Friuli-Venezia Giulia<\/td><td>4<\/td><td>5<\/td><td>7<\/td><td>1<\/td><td>3<\/td><\/tr><tr><td>Veneto<\/td><td>17<\/td><td>25<\/td><td>27<\/td><td>8<\/td><td>10<\/td><\/tr><tr><td>Liguria<\/td><td>9<\/td><td>6<\/td><td>8<\/td><td>-3<\/td><td>-1<\/td><\/tr><tr><td>Emilia-Romagna<\/td><td>33<\/td><td>25<\/td><td>29<\/td><td>-8<\/td><td>-4<\/td><\/tr><tr><td>Tuscany<\/td><td>24<\/td><td>22<\/td><td>14<\/td><td>-2<\/td><td>-10<\/td><\/tr><tr><td>Umbria<\/td><td>2<\/td><td>4<\/td><td>3<\/td><td>2<\/td><td>1<\/td><\/tr><tr><td>Marche<\/td><td>12<\/td><td>6<\/td><td>10<\/td><td>-6<\/td><td>-2<\/td><\/tr><tr><td>Lazio<\/td><td>46<\/td><td>44<\/td><td>62<\/td><td>-2<\/td><td>16<\/td><\/tr><tr><td>Abruzzo<\/td><td>7<\/td><td>3<\/td><td>8<\/td><td>-4<\/td><td>1<\/td><\/tr><tr><td>Molise<\/td><td>2<\/td><td>2<\/td><td>0<\/td><td>0<\/td><td>-2<\/td><\/tr><tr><td>Campania<\/td><td>14<\/td><td>18<\/td><td>42<\/td><td>4<\/td><td>28<\/td><\/tr><tr><td>Apulia<\/td><td>16<\/td><td>15<\/td><td>20<\/td><td>-1<\/td><td>4<\/td><\/tr><tr><td>Basilicata<\/td><td>3<\/td><td>0<\/td><td>1<\/td><td>-3<\/td><td>-2<\/td><\/tr><tr><td>Calabria<\/td><td>5<\/td><td>1<\/td><td>7<\/td><td>-4<\/td><td>2<\/td><\/tr><tr><td>Sicily<\/td><td>12<\/td><td>8<\/td><td>17<\/td><td>-4<\/td><td>5<\/td><\/tr><tr><td>Sardinia<\/td><td>6<\/td><td>3<\/td><td>4<\/td><td>-3<\/td><td>-2<\/td><\/tr><tr><td><strong>ITALY<\/strong><\/td><td><strong>347<\/strong><\/td><td><strong>290<\/strong><\/td><td><strong>382<\/strong><\/td><td><strong>-57<\/strong><\/td><td><strong>35<\/strong><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p class=\"fonte_grafico\">Source: Symbola Foundation elaborations on Infocamere data<\/p>\n\n\n\n<p>The results relating to business terminations need to be observed by removing \u201coffice\u201d cancellations , meaning those pertaining to the \u2018cleansing\u2019 of the Chambers of Commerce archives.<br>As for the total number of companies, the year 2021 witnessed a reduction in effective terminations within the audiovisual core, which seems to confirm the \u201cfreezing\u201d hypothesis suggested for 2020, a phenomenon that most probably relies on the support measures in contrast to the closures that should have been due during the pandemic season, at least \u201cphysiologically.\u201d<\/p>\n\n\n\n<p><br>If the real economy terminations concern nearly 134,000 businesses not yet verified in the Business Register but to be attested in the future (41.0% of a \u201cnormal\u201d year like 2019), 141 companies within the audiovisual sector are \u201cat risk\u201d of closing, meaning 34.5% of the 2019 figure, again taken as the pre-pandemic year of comparison.<br>By adopting a similar scheme to the one used for registrations, the 2021\/2019 variation can be broken down into a two-year contribution for terminations, both however negative.<br>The audiovisual core recorded a decrease in closures similar to the real economy (-23.7% vs. -24.6%), and in this case, the termination variation relating to theatrical production was more confined (-15,8% on average), while the drop affected exhibition businesses (-48.1% closures).<\/p>\n\n\n\n\n<div id=\"grafico-block_6368e1651563b\" class=\"grafico mb-5\">\n\n     <p class=\"titoletto pt-2 mb-3 bd\">Ex-officio terminations in the audiovisual industry over a two-year period: contribution of 2020 and 2021 to the overall variation of ex-officio terminations 2021\/2019<br \/>\n          <span class=\"small text-black-50\">Years 2019-2021 (percentage variations)<\/span>     <\/p>\n\n          <img decoding=\"async\" src=\"https:\/\/ricerche.apaonline.it\/website\/wp-content\/uploads\/2022\/11\/SYMBOLA_Le-attivita-audivisive_ENG_05.png\" class=\"img-fluid\" \/>\n     \n          <!--p class=\"small text-black-50 \"><br\/-->\n     <p class=\"fonte_grafico mt-2\">Source: Symbola Foundation elaborations on Infocamere data<\/p>\n     \n<\/div>\n\n\n<p>At a regional level, the ex-officio terminations for the audiovisual core are not distributed evenly in the two-year period. Lombardy alone concentrates the bulk of the 2020-2021 terminations compared to 2019, which, as previously mentioned, could become a critical perspective for 51 companies in the future (adding up the 2020 and 2021 \u201cmissed closures\u201d). Piedmont (-19), Emilia Romagna (-17), and Sicily (-16) follow, always considering the two years. Trentino-Alto Adige, Tuscany, Umbria, Lazio, and Calabria are at pre-pandemic closure levels, if not higher, over the average two-year period.<\/p>\n\n\n\n<p class=\"titolo_grafico\"><strong>Breakdown of ex-officio terminations in the audiovisual core by Italian regions<\/strong><\/p>\n\n\n\n<p class=\"sottotitolo_grafico\">Years 2019, 2020 e 2021 (absolute value)<\/p>\n\n\n\n<p><strong>EX-OFFICIO TERMINATIONS<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-table is-style-stripes table\"><table><tbody><tr><td><strong>Regions<\/strong><\/td><td><strong>2019<\/strong><\/td><td><strong>2020<\/strong><\/td><td><strong>2021<\/strong><\/td><td><strong>diff.<\/strong><strong>&nbsp;<\/strong><strong>20\/19<\/strong><\/td><td><strong>diff.<\/strong><strong>&nbsp;<\/strong><strong>21\/19<\/strong><\/td><\/tr><tr><td>Piedmont<\/td><td>30<\/td><td>25<\/td><td>16<\/td><td>-5<\/td><td>-14<\/td><\/tr><tr><td>Valle d&#8217;Aosta<\/td><td>0<\/td><td>0<\/td><td>1<\/td><td>0<\/td><td>1<\/td><\/tr><tr><td>Lombardy<\/td><td>88<\/td><td>65<\/td><td>60<\/td><td>-23<\/td><td>-28<\/td><\/tr><tr><td>Trentino-Alto Adige<\/td><td>9<\/td><td>10<\/td><td>12<\/td><td>1<\/td><td>3<\/td><\/tr><tr><td>Friuli-Venezia Giulia<\/td><td>6<\/td><td>2<\/td><td>4<\/td><td>-4<\/td><td>-2<\/td><\/tr><tr><td>Veneto<\/td><td>26<\/td><td>29<\/td><td>18<\/td><td>3<\/td><td>-8<\/td><\/tr><tr><td>Liguria<\/td><td>9<\/td><td>6<\/td><td>3<\/td><td>-3<\/td><td>-6<\/td><\/tr><tr><td>Emilia-Romagna<\/td><td>29<\/td><td>23<\/td><td>18<\/td><td>-6<\/td><td>-11<\/td><\/tr><tr><td>Tuscany<\/td><td>25<\/td><td>26<\/td><td>24<\/td><td>1<\/td><td>-1<\/td><\/tr><tr><td>Umbria<\/td><td>4<\/td><td>1<\/td><td>6<\/td><td>-3<\/td><td>2<\/td><\/tr><tr><td>Marche<\/td><td>8<\/td><td>8<\/td><td>4<\/td><td>0<\/td><td>-4<\/td><\/tr><tr><td>Lazio<\/td><td>89<\/td><td>100<\/td><td>81<\/td><td>11<\/td><td>-8<\/td><\/tr><tr><td>Abruzzo<\/td><td>7<\/td><td>7<\/td><td>4<\/td><td>0<\/td><td>-3<\/td><\/tr><tr><td>Molise<\/td><td>3<\/td><td>0<\/td><td>2<\/td><td>-3<\/td><td>-1<\/td><\/tr><tr><td>Campania<\/td><td>23<\/td><td>24<\/td><td>21<\/td><td>1<\/td><td>-2<\/td><\/tr><tr><td>Apulia<\/td><td>14<\/td><td>11<\/td><td>16<\/td><td>-3<\/td><td>2<\/td><\/tr><tr><td>Basilicata<\/td><td>2<\/td><td>2<\/td><td>1<\/td><td>0<\/td><td>-1<\/td><\/tr><tr><td>Calabria<\/td><td>6<\/td><td>6<\/td><td>6<\/td><td>0<\/td><td>0<\/td><\/tr><tr><td>Sicily<\/td><td>21<\/td><td>16<\/td><td>10<\/td><td>-5<\/td><td>-11<\/td><\/tr><tr><td>Sardinia<\/td><td>10<\/td><td>4<\/td><td>5<\/td><td>-6<\/td><td>-5<\/td><\/tr><tr><td><strong>ITALY<\/strong><\/td><td><strong>409<\/strong><\/td><td><strong>365<\/strong><\/td><td><strong>312<\/strong><\/td><td><strong>-44<\/strong><\/td><td><strong>-97<\/strong><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p class=\"fonte_grafico\">Source: Symbola Foundation elaborations on Infocamere data<\/p>\n\n\n\n<p class=\"fonte_grafico\"><br>[2] Unioncamere, &#8220;The pandemic slows down the birth rate of businesses: 63,000 fewer companies open since the first lockdown&#8221;, press release, April 23, 2021. The data refers to the period between March 2020 and March 2021 (13 months).<br>[3] Registration in the Chamber of Commerce Business Register is a mandatory &#8220;one-off&#8221; administrative procedure defined at the start of a company. It consists of two phases: the first, where a digitally signed application is submitted electronically within 30 days from the start of the activity; the second, where the application is verified and proceeds to registration.<br>[4] Termination or cancellation from the Business Register is an administrative procedure following a liquidation procedure of a partnership or joint stock companies. Cancellation is a mandatory step explicitly imposed by law for joint stock companies, while partnership cancellations are rather controversial, both theoretically and legally.<br>[5] The adoption of an ex-officio termination data is particularly necessary for 2021, given the meticulous cleansing activity of the Rome Chamber of Commerce registers, resulting in 76.9% of the total terminations, a share that reached 91.6% for the audiovisual sector. Overall, for the audiovisual sector, 312 ex-officio (actual) terminations were counted, compared to the 912 official, for a total of 1,224 terminations, meaning 74.5%.<\/p>\n","protected":false},"featured_media":0,"parent":6740,"menu_order":3,"template":"","class_list":["post-6744","ricerca","type-ricerca","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Entry and exit rates at the Business Register 2020-2021 &#8212; APA Ricerche<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ricerche.apaonline.it\/en\/research\/employment-in-the-audiovisual-sector-and-female-presence\/la-natimortalita-2020-2021-dal-registro-delle-imprese-eng\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Entry and exit rates at the Business Register 2020-2021 &#8212; 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