{"id":6514,"date":"2022-10-28T17:57:00","date_gmt":"2022-10-28T15:57:00","guid":{"rendered":"https:\/\/ricerche.apaonline.it\/?post_type=ricerca&#038;p=6514"},"modified":"2022-11-11T14:30:07","modified_gmt":"2022-11-11T13:30:07","slug":"in-house-and-outsourced-productions","status":"publish","type":"ricerca","link":"https:\/\/ricerche.apaonline.it\/en\/research\/unscripted-supply-2022\/unscripted-22-eng\/in-house-and-outsourced-productions\/","title":{"rendered":"In-House and Outsourced Productions"},"content":{"rendered":"\n\n<div id=\"grafico-block_636cd8ee080d4\" class=\"grafico mb-5\">\n\n     <p class=\"titoletto pt-2 mb-3 bd\">Entertainment networks : in-house and outsourced production<br \/>\n          <span class=\"small text-black-50\">In the sample ratio between in-house and outsourced production, in-house titles are gaining ground (in the past season the ratio was 39% against 61% of the independent). The ratio is stables compared to the hours (previous season 65% in-house vs 35% indie)<\/span>     <\/p>\n\n          <img decoding=\"async\" src=\"https:\/\/ricerche.apaonline.it\/website\/wp-content\/uploads\/2022\/10\/CeRTA_2_2_La_produzione_interna_ed_esterna_01_ENG-1.png\" class=\"img-fluid\" \/>\n     \n     \n<\/div>\n\n\n<p><strong>Increase of titles vs decrease of hours<\/strong><\/p>\n\n\n\n<p>Domestic production increases in titles by 44% compared to last year while independent production earns 6%<\/p>\n\n\n\n<p>In-house hourly volume loses 2% compared to last year; indie hourly volume loses 12% overall.<\/p>\n\n\n\n\n<div id=\"grafico-block_63627acc2aa19\" class=\"grafico mb-5\">\n\n     <p class=\"titoletto pt-2 mb-3 bd\">OTT Entertainment: increase in hourly volume<br \/>\n          <span class=\"small text-black-50\">On OTTs, outsourced productions prevail but with less waste than last year (2021, titles: 25% vs 75%; hours 30% vs 70%)<\/span>     <\/p>\n\n          <img decoding=\"async\" src=\"https:\/\/ricerche.apaonline.it\/website\/wp-content\/uploads\/2022\/10\/CeRTA_2_2_La_produzione_interna_ed_esterna_02_ENG-1.png\" class=\"img-fluid\" \/>\n     \n     \n<\/div>\n\n\n<p><strong>Increase of titles vs decrease of hours<\/strong><\/p>\n\n\n\n<p>In-house titles grow by 92% compared to the previous season. Outsourced titles rise by 21%<\/p>\n\n\n\n<p>The in-house hourly volume recorded -9% compared to last year.<br>The hourly volume of outsourced shows loses 36% compared to last year.<\/p>\n\n\n\n\n<div id=\"grafico-block_636cd071080c4\" class=\"grafico mb-5\">\n\n     <p class=\"titoletto pt-2 mb-3 bd\">OTT Entertainment: who\u2019s growing, who\u2019s reducing the offer \/ increase in OTT titles<br \/>\n          <span class=\"small text-black-50\">The percentage increase in titles and hours is positive for Amazon Prime Video, Netflix and Raiplay. On other networks title volume grows but hours drop. TimVision halves its offer (which had grown in the previous season)<\/span>     <\/p>\n\n          <img decoding=\"async\" src=\"https:\/\/ricerche.apaonline.it\/website\/wp-content\/uploads\/2022\/10\/CeRTA_2_2_La_produzione_interna_ed_esterna_03_ENG.png\" class=\"img-fluid\" \/>\n     \n     \n<\/div>\n\n\n\n<div id=\"grafico-block_636cd071080c5\" class=\"grafico mb-5\">\n\n     <p class=\"titoletto pt-2 mb-3 bd\">OTT Entertainment: who\u2019s growing, who\u2019s reducing the offer \/ increase in OTT hourly volume<br \/>\n          <span class=\"small text-black-50\">The percentage increase in titles and hours is positive for Amazon Prime Video, Netflix and Raiplay. On other networks title volume grows but hours drop. TimVision halves its offer (which had grown in the previous season)<\/span>     <\/p>\n\n          <img decoding=\"async\" src=\"https:\/\/ricerche.apaonline.it\/website\/wp-content\/uploads\/2022\/10\/CeRTA_2_2_La_produzione_interna_ed_esterna_04_ENG.png\" class=\"img-fluid\" \/>\n     \n     \n<\/div>\n\n\n\n<div id=\"grafico-block_636cd071080c6\" class=\"grafico mb-5\">\n\n     <p class=\"titoletto pt-2 mb-3 bd\">Linear TV time slots: in-house and outsourced production ratio \/ titles<br \/>\n          <span class=\"small text-black-50\">Independent productions win in prime-time, both in terms of titles and hours, and in prime access. Compared to the 2020\/2021 season, the ratio between outsourced and in-house production highlights a growth in in-house products in all time slots and a drop of indie products<\/span>     <\/p>\n\n          <img decoding=\"async\" src=\"https:\/\/ricerche.apaonline.it\/website\/wp-content\/uploads\/2022\/10\/CeRTA_2_2_La_produzione_interna_ed_esterna_05_ENG.png\" class=\"img-fluid\" \/>\n     \n          <!--p class=\"small text-black-50 \"><br\/-->\n     <p class=\"fonte_grafico mt-2\"><br \/>\n          In-house production: entirely produced by the broadcaster<br \/>\r\nOutsourced production: commissioned by or coproduced with an independent production company<\/p>\n     \n<\/div>\n\n\n\n<div id=\"grafico-block_636cd071080c7\" class=\"grafico mb-5\">\n\n     <p class=\"titoletto pt-2 mb-3 bd\">Linear TV time slots: in-house and outsourced production ratio \/ hourly volume<br \/>\n          <span class=\"small text-black-50\">Independent productions win in prime-time, both in terms of titles and hours, and in prime access. Compared to the 2020\/2021 season, the ratio between outsourced and in-house production highlights a growth in in-house products in all time slots and a drop of indie products<\/span>     <\/p>\n\n          <img decoding=\"async\" src=\"https:\/\/ricerche.apaonline.it\/website\/wp-content\/uploads\/2022\/10\/CeRTA_2_2_La_produzione_interna_ed_esterna_06_ENG.png\" class=\"img-fluid\" \/>\n     \n          <!--p class=\"small text-black-50 \"><br\/-->\n     <p class=\"fonte_grafico mt-2\"><br \/>\n          In-house production: entirely produced by the broadcaster<br \/>\r\nOutsourced production: commissioned by or coproduced with an independent production company<\/p>\n     \n<\/div>\n\n\n\n<div id=\"grafico-block_636cd071080c8\" class=\"grafico mb-5\">\n\n     <p class=\"titoletto pt-2 mb-3 bd\">Breakdown of title increase by time slots (%) \/ in-house production<br \/>\n          <span class=\"small text-black-50\">Compared to last season, in-house production is gaining ground (in primetime, prime access and daytime), while indies register a minor increase (prime access and daytime) <\/span>     <\/p>\n\n          <img decoding=\"async\" src=\"https:\/\/ricerche.apaonline.it\/website\/wp-content\/uploads\/2022\/10\/CeRTA_2_2_La_produzione_interna_ed_esterna_07_ENG.png\" class=\"img-fluid\" \/>\n     \n          <!--p class=\"small text-black-50 \"><br\/-->\n     <p class=\"fonte_grafico mt-2\"><br \/>\n          In-house production: entirely produced by the broadcaster<br \/>\r\nOutsourced production: commissioned by or coproduced with an independent production company<\/p>\n     \n<\/div>\n\n\n\n<div id=\"grafico-block_636cd071080c9\" class=\"grafico mb-5\">\n\n     <p class=\"titoletto pt-2 mb-3 bd\">Breakdown of title increase by time slots (%) \/ outsourced production<br \/>\n          <span class=\"small text-black-50\">Compared to last season, in-house production is gaining ground (in primetime, prime access and daytime), while indies register a minor increase (prime access and daytime) <\/span>     <\/p>\n\n          <img decoding=\"async\" src=\"https:\/\/ricerche.apaonline.it\/website\/wp-content\/uploads\/2022\/10\/CeRTA_2_2_La_produzione_interna_ed_esterna_08_ENG.png\" class=\"img-fluid\" \/>\n     \n          <!--p class=\"small text-black-50 \"><br\/-->\n     <p class=\"fonte_grafico mt-2\"><br \/>\n          In-house production: entirely produced by the broadcaster<br \/>\r\nOutsourced production: commissioned by or coproduced with an independent production company<\/p>\n     \n<\/div>\n\n\n\n<div id=\"grafico-block_636cd071080ca\" class=\"grafico mb-5\">\n\n     <p class=\"titoletto pt-2 mb-3 bd\">Breakdown of hourly variation by time slots \/ in-house production<br \/>\n          <span class=\"small text-black-50\">Compared to last season, in-house and outsourced productions are losing hours despite the increase in titles (except for prime access). The total hour loss of independent productions compared to last year is 12%<\/span>     <\/p>\n\n          <img decoding=\"async\" src=\"https:\/\/ricerche.apaonline.it\/website\/wp-content\/uploads\/2022\/10\/CeRTA_2_2_La_produzione_interna_ed_esterna_09_ENG.png\" class=\"img-fluid\" \/>\n     \n          <!--p class=\"small text-black-50 \"><br\/-->\n     <p class=\"fonte_grafico mt-2\"><br \/>\n          In-house production: entirely produced by the broadcaster<br \/>\r\noutsourced production: commissioned by or coproduced with an independent production company<\/p>\n     \n<\/div>\n\n\n\n<div id=\"grafico-block_636cd071080cc\" class=\"grafico mb-5\">\n\n     <p class=\"titoletto pt-2 mb-3 bd\">Breakdown of hourly variation by time slots \/ outsourced production<br \/>\n          <span class=\"small text-black-50\">Compared to last season, in-house and outsourced productions are losing hours despite the increase in titles (except for prime access). The total hour loss of independent productions compared to last year is 12% <\/span>     <\/p>\n\n          <img decoding=\"async\" src=\"https:\/\/ricerche.apaonline.it\/website\/wp-content\/uploads\/2022\/10\/CeRTA_2_2_La_produzione_interna_ed_esterna_10_ENG.png\" class=\"img-fluid\" \/>\n     \n          <!--p class=\"small text-black-50 \"><br\/-->\n     <p class=\"fonte_grafico mt-2\"><br \/>\n          In-house production: entirely produced by the broadcaster<br \/>\r\noutsourced production: commissioned by or coproduced with an independent production company<\/p>\n     \n<\/div>","protected":false},"featured_media":0,"parent":6510,"menu_order":2,"template":"","class_list":["post-6514","ricerca","type-ricerca","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>In-House and Outsourced Productions &#8212; APA Ricerche<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ricerche.apaonline.it\/en\/research\/unscripted-supply-2022\/unscripted-22-eng\/in-house-and-outsourced-productions\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"In-House and Outsourced Productions &#8212; APA Ricerche\" \/>\n<meta property=\"og:description\" content=\"Increase of titles vs decrease of hours Domestic production increases in titles by 44% compared to last year while independent production earns 6% In-house hourly volume loses 2% compared to last year; indie hourly volume loses 12% overall. Increase of titles vs decrease of hours In-house titles grow by 92% compared to the previous season. [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/ricerche.apaonline.it\/en\/research\/unscripted-supply-2022\/unscripted-22-eng\/in-house-and-outsourced-productions\/\" \/>\n<meta property=\"og:site_name\" content=\"APA Ricerche\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/AssociazioneProduttoriAudiovisivi\/\" \/>\n<meta property=\"article:modified_time\" content=\"2022-11-11T13:30:07+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@APAudiovisivi\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/ricerche.apaonline.it\/en\/research\/unscripted-supply-2022\/unscripted-22-eng\/in-house-and-outsourced-productions\/\",\"url\":\"https:\/\/ricerche.apaonline.it\/en\/research\/unscripted-supply-2022\/unscripted-22-eng\/in-house-and-outsourced-productions\/\",\"name\":\"In-House and Outsourced Productions &#8212; APA Ricerche\",\"isPartOf\":{\"@id\":\"https:\/\/ricerche.apaonline.it\/en\/#website\"},\"datePublished\":\"2022-10-28T15:57:00+00:00\",\"dateModified\":\"2022-11-11T13:30:07+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/ricerche.apaonline.it\/en\/research\/unscripted-supply-2022\/unscripted-22-eng\/in-house-and-outsourced-productions\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/ricerche.apaonline.it\/en\/research\/unscripted-supply-2022\/unscripted-22-eng\/in-house-and-outsourced-productions\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/ricerche.apaonline.it\/en\/research\/unscripted-supply-2022\/unscripted-22-eng\/in-house-and-outsourced-productions\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/ricerche.apaonline.it\/en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Ricerche\",\"item\":\"https:\/\/ricerche.apaonline.it\/en\/archivio-ricerche\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Unscripted Supply 2022\",\"item\":\"https:\/\/ricerche.apaonline.it\/en\/research\/unscripted-supply-2022\/\"},{\"@type\":\"ListItem\",\"position\":4,\"name\":\"Unscripted\",\"item\":\"https:\/\/ricerche.apaonline.it\/en\/research\/unscripted-supply-2022\/unscripted-22-eng\/\"},{\"@type\":\"ListItem\",\"position\":5,\"name\":\"In-House and Outsourced Productions\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/ricerche.apaonline.it\/en\/#website\",\"url\":\"https:\/\/ricerche.apaonline.it\/en\/\",\"name\":\"APA Ricerche\",\"description\":\"Presente e futuro dell&#039;audiovisivo\",\"publisher\":{\"@id\":\"https:\/\/ricerche.apaonline.it\/en\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/ricerche.apaonline.it\/en\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/ricerche.apaonline.it\/en\/#organization\",\"name\":\"APA Associazione Produttori Audiovisivi\",\"url\":\"https:\/\/ricerche.apaonline.it\/en\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/ricerche.apaonline.it\/en\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/ricerche.apaonline.it\/website\/wp-content\/uploads\/2023\/03\/APA_Logo_new.png\",\"contentUrl\":\"https:\/\/ricerche.apaonline.it\/website\/wp-content\/uploads\/2023\/03\/APA_Logo_new.png\",\"width\":2146,\"height\":535,\"caption\":\"APA Associazione Produttori Audiovisivi\"},\"image\":{\"@id\":\"https:\/\/ricerche.apaonline.it\/en\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/AssociazioneProduttoriAudiovisivi\/\",\"https:\/\/x.com\/APAudiovisivi\",\"https:\/\/www.linkedin.com\/company\/apt-associazione-produttori-televisivi\/\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"In-House and Outsourced Productions &#8212; APA Ricerche","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/ricerche.apaonline.it\/en\/research\/unscripted-supply-2022\/unscripted-22-eng\/in-house-and-outsourced-productions\/","og_locale":"en_US","og_type":"article","og_title":"In-House and Outsourced Productions &#8212; APA Ricerche","og_description":"Increase of titles vs decrease of hours Domestic production increases in titles by 44% compared to last year while independent production earns 6% In-house hourly volume loses 2% compared to last year; indie hourly volume loses 12% overall. Increase of titles vs decrease of hours In-house titles grow by 92% compared to the previous season. [&hellip;]","og_url":"https:\/\/ricerche.apaonline.it\/en\/research\/unscripted-supply-2022\/unscripted-22-eng\/in-house-and-outsourced-productions\/","og_site_name":"APA Ricerche","article_publisher":"https:\/\/www.facebook.com\/AssociazioneProduttoriAudiovisivi\/","article_modified_time":"2022-11-11T13:30:07+00:00","twitter_card":"summary_large_image","twitter_site":"@APAudiovisivi","twitter_misc":{"Est. reading time":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/ricerche.apaonline.it\/en\/research\/unscripted-supply-2022\/unscripted-22-eng\/in-house-and-outsourced-productions\/","url":"https:\/\/ricerche.apaonline.it\/en\/research\/unscripted-supply-2022\/unscripted-22-eng\/in-house-and-outsourced-productions\/","name":"In-House and Outsourced Productions &#8212; APA Ricerche","isPartOf":{"@id":"https:\/\/ricerche.apaonline.it\/en\/#website"},"datePublished":"2022-10-28T15:57:00+00:00","dateModified":"2022-11-11T13:30:07+00:00","breadcrumb":{"@id":"https:\/\/ricerche.apaonline.it\/en\/research\/unscripted-supply-2022\/unscripted-22-eng\/in-house-and-outsourced-productions\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/ricerche.apaonline.it\/en\/research\/unscripted-supply-2022\/unscripted-22-eng\/in-house-and-outsourced-productions\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/ricerche.apaonline.it\/en\/research\/unscripted-supply-2022\/unscripted-22-eng\/in-house-and-outsourced-productions\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/ricerche.apaonline.it\/en\/"},{"@type":"ListItem","position":2,"name":"Ricerche","item":"https:\/\/ricerche.apaonline.it\/en\/archivio-ricerche\/"},{"@type":"ListItem","position":3,"name":"Unscripted Supply 2022","item":"https:\/\/ricerche.apaonline.it\/en\/research\/unscripted-supply-2022\/"},{"@type":"ListItem","position":4,"name":"Unscripted","item":"https:\/\/ricerche.apaonline.it\/en\/research\/unscripted-supply-2022\/unscripted-22-eng\/"},{"@type":"ListItem","position":5,"name":"In-House and Outsourced Productions"}]},{"@type":"WebSite","@id":"https:\/\/ricerche.apaonline.it\/en\/#website","url":"https:\/\/ricerche.apaonline.it\/en\/","name":"APA Ricerche","description":"Presente e futuro dell&#039;audiovisivo","publisher":{"@id":"https:\/\/ricerche.apaonline.it\/en\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/ricerche.apaonline.it\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/ricerche.apaonline.it\/en\/#organization","name":"APA Associazione Produttori Audiovisivi","url":"https:\/\/ricerche.apaonline.it\/en\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/ricerche.apaonline.it\/en\/#\/schema\/logo\/image\/","url":"https:\/\/ricerche.apaonline.it\/website\/wp-content\/uploads\/2023\/03\/APA_Logo_new.png","contentUrl":"https:\/\/ricerche.apaonline.it\/website\/wp-content\/uploads\/2023\/03\/APA_Logo_new.png","width":2146,"height":535,"caption":"APA Associazione Produttori Audiovisivi"},"image":{"@id":"https:\/\/ricerche.apaonline.it\/en\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/AssociazioneProduttoriAudiovisivi\/","https:\/\/x.com\/APAudiovisivi","https:\/\/www.linkedin.com\/company\/apt-associazione-produttori-televisivi\/"]}]}},"_links":{"self":[{"href":"https:\/\/ricerche.apaonline.it\/en\/wp-json\/wp\/v2\/ricerca\/6514"}],"collection":[{"href":"https:\/\/ricerche.apaonline.it\/en\/wp-json\/wp\/v2\/ricerca"}],"about":[{"href":"https:\/\/ricerche.apaonline.it\/en\/wp-json\/wp\/v2\/types\/ricerca"}],"version-history":[{"count":18,"href":"https:\/\/ricerche.apaonline.it\/en\/wp-json\/wp\/v2\/ricerca\/6514\/revisions"}],"predecessor-version":[{"id":7931,"href":"https:\/\/ricerche.apaonline.it\/en\/wp-json\/wp\/v2\/ricerca\/6514\/revisions\/7931"}],"up":[{"embeddable":true,"href":"https:\/\/ricerche.apaonline.it\/en\/wp-json\/wp\/v2\/ricerca\/6510"}],"wp:attachment":[{"href":"https:\/\/ricerche.apaonline.it\/en\/wp-json\/wp\/v2\/media?parent=6514"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}