{"id":6512,"date":"2022-10-28T17:56:51","date_gmt":"2022-10-28T15:56:51","guid":{"rendered":"https:\/\/ricerche.apaonline.it\/?post_type=ricerca&p=6512"},"modified":"2022-11-11T14:27:37","modified_gmt":"2022-11-11T13:27:37","slug":"the-monitoring-sample","status":"publish","type":"ricerca","link":"https:\/\/ricerche.apaonline.it\/en\/research\/unscripted-supply-2022\/unscripted-22-eng\/the-monitoring-sample\/","title":{"rendered":"The Monitoring Sample"},"content":{"rendered":"\n

Ongoing analysis of the original entertainment production between September 1st, 2021 and May 31st, 2022<\/p>\n\n\n\n

<\/p>\n\n\n\n

Monitored genres<\/strong><\/strong><\/td>35 NETWORKS \u2013 Commissioners of unscripted original content<\/strong><\/strong><\/td>6 OTTs<\/strong><\/td><\/tr>
Container shows, Entertainment, Factual, Game shows, Infotainment, Talent\/Reality\/Dating (T-R-D), Talk shows, Magazine, Docu<\/td>Rai1, Rai2, Rai3, Rai4, Rai5, RaiPremium, RaiStoria, Rete4, Canale 5, Italia 1, Canale 20, Iris, La 5, Focus, Mediaset Extra, La7, La7d, TV8, Cielo, Sky Uno, Sky Arte, Sky Documentaries, Sky Nature, Nove, Real Time, Dmax, Food Network, HG TV, Motor Trend, MTV, VH1, Nat Geo, Crime+Investigation, History Channel, TV2000<\/td>Rai Play, Mediaset Infinity\/Infinity+, Discovery+, TimVision, Netflix, Amazon Prime Video<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

The Unscripted Genres<\/h3>\n\n\n\n
  • Talent\/Reality\/Dating (T-R-D)<\/strong>
    Shows that puts players (NIPs or VIPs) in competition for a prize, based on their skills (talent show) or a condition of altered reality (isolation, deserted island, etc.) or in relation to a potential sentimental affinity.
    Tale e Quale Show, Grande Fratello Vip, Primo Appuntamento.<\/em><\/li>
  • Factuals<\/strong>
    Shows where reality is observed or described and adapted to the television context in various themes and genres, including scripted reality and docu (true crime, docu-reality, makeover).
    Il collegio, Pechino Express, Quattro matrimoni<\/em><\/li>
  • Magazines<\/strong>
    In-depth shows with a cultural, social, scientific, sporting, current affairs, custom, popular edge, also declined as a column.
    Linea Verde, Kilimangiaro, Freedom \u2013 Oltre il confine<\/em><\/li>
  • Game shows<\/strong>
    Gioco\/quiz che presenta una sfida tra uno o pi\u00f9 concorrenti e una esplicita posta in gioco, in denaro o altro, per il\/i vincitori.
    L’eredit\u00e0, I soliti ignoti, Caduta Libera, Deal with it.<\/em><\/li>
  • Infotainment<\/strong>
    Shows featuring a mix of news elements with entertainment or magazine and investigative information.
    Chi l\u2019ha visto\u2026?, Striscia la notizia, Le iene.<\/em><\/li>
  • Talk shows<\/strong>
    A journalistic show featuring in-studio conversations, interviews or debates, with an informational or political edge.
    Zona bianca, Porta a Porta, Otto e mezzo, DiMarted\u00ec<\/em><\/li>
  • Entertainment shows<\/strong>
    A light show declined in many subgenres, also hybrids (music, sketch, comedy, satire, etc).
    Da grande, Stasera tutto \u00e8 possibile, Fratelli di Crozza, Lol \u2013 Chi ride \u00e8 fuori<\/em><\/li>
  • Docus<\/strong>
    \u201cDocu” programs are further subdivided into:
    Documental:<\/strong> a documentary generally in one \/ two episodes (one-shot).
    Docu-series<\/strong>: a serial documentary articulated in episodes with a sequential narration.
    Docu-reality: <\/strong>a program that stages elements of reality edited according to narrative and documentary purposes.
    The Ferragnez, Marta – Il delitto della Sapienza<\/em><\/li>
  • Container Shows<\/strong>
    Shows with different content following one another.
    Unomattina, Pomeriggio Cinque, La Vita in diretta<\/em><\/li><\/ul>\n\n\n\n\n
    \n\n

    The Monitored Sample (I) <\/p>\n\n \n \n \n<\/div>","protected":false},"featured_media":0,"parent":6510,"menu_order":1,"template":"","class_list":["post-6512","ricerca","type-ricerca","status-publish","hentry"],"acf":[],"yoast_head":"\nThe Monitoring Sample — APA Ricerche<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ricerche.apaonline.it\/en\/research\/unscripted-supply-2022\/unscripted-22-eng\/the-monitoring-sample\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Monitoring Sample — APA Ricerche\" \/>\n<meta property=\"og:description\" content=\"Ongoing analysis of the original entertainment production between September 1st, 2021 and May 31st, 2022 Monitored genres 35 NETWORKS \u2013 Commissioners of unscripted original content 6 OTTs Container shows, Entertainment, Factual, Game shows, Infotainment, Talent\/Reality\/Dating (T-R-D), Talk shows, Magazine, Docu Rai1, Rai2, Rai3, Rai4, Rai5, RaiPremium, RaiStoria, Rete4, Canale 5, Italia 1, Canale 20, Iris, La 5, Focus, Mediaset Extra, La7, […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/ricerche.apaonline.it\/en\/research\/unscripted-supply-2022\/unscripted-22-eng\/the-monitoring-sample\/\" \/>\n<meta property=\"og:site_name\" content=\"APA Ricerche\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/AssociazioneProduttoriAudiovisivi\/\" \/>\n<meta property=\"article:modified_time\" content=\"2022-11-11T13:27:37+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@APAudiovisivi\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/ricerche.apaonline.it\/en\/research\/unscripted-supply-2022\/unscripted-22-eng\/the-monitoring-sample\/\",\"url\":\"https:\/\/ricerche.apaonline.it\/en\/research\/unscripted-supply-2022\/unscripted-22-eng\/the-monitoring-sample\/\",\"name\":\"The Monitoring Sample — APA Ricerche\",\"isPartOf\":{\"@id\":\"https:\/\/ricerche.apaonline.it\/en\/#website\"},\"datePublished\":\"2022-10-28T15:56:51+00:00\",\"dateModified\":\"2022-11-11T13:27:37+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/ricerche.apaonline.it\/en\/research\/unscripted-supply-2022\/unscripted-22-eng\/the-monitoring-sample\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/ricerche.apaonline.it\/en\/research\/unscripted-supply-2022\/unscripted-22-eng\/the-monitoring-sample\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/ricerche.apaonline.it\/en\/research\/unscripted-supply-2022\/unscripted-22-eng\/the-monitoring-sample\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/ricerche.apaonline.it\/en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Ricerche\",\"item\":\"https:\/\/ricerche.apaonline.it\/en\/archivio-ricerche\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Unscripted Supply 2022\",\"item\":\"https:\/\/ricerche.apaonline.it\/en\/research\/unscripted-supply-2022\/\"},{\"@type\":\"ListItem\",\"position\":4,\"name\":\"Unscripted\",\"item\":\"https:\/\/ricerche.apaonline.it\/en\/research\/unscripted-supply-2022\/unscripted-22-eng\/\"},{\"@type\":\"ListItem\",\"position\":5,\"name\":\"The Monitoring Sample\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/ricerche.apaonline.it\/en\/#website\",\"url\":\"https:\/\/ricerche.apaonline.it\/en\/\",\"name\":\"APA Ricerche\",\"description\":\"Presente e futuro dell'audiovisivo\",\"publisher\":{\"@id\":\"https:\/\/ricerche.apaonline.it\/en\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/ricerche.apaonline.it\/en\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/ricerche.apaonline.it\/en\/#organization\",\"name\":\"APA Associazione Produttori Audiovisivi\",\"url\":\"https:\/\/ricerche.apaonline.it\/en\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/ricerche.apaonline.it\/en\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/ricerche.apaonline.it\/website\/wp-content\/uploads\/2023\/03\/APA_Logo_new.png\",\"contentUrl\":\"https:\/\/ricerche.apaonline.it\/website\/wp-content\/uploads\/2023\/03\/APA_Logo_new.png\",\"width\":2146,\"height\":535,\"caption\":\"APA Associazione Produttori Audiovisivi\"},\"image\":{\"@id\":\"https:\/\/ricerche.apaonline.it\/en\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/AssociazioneProduttoriAudiovisivi\/\",\"https:\/\/x.com\/APAudiovisivi\",\"https:\/\/www.linkedin.com\/company\/apt-associazione-produttori-televisivi\/\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"The Monitoring Sample — APA Ricerche","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/ricerche.apaonline.it\/en\/research\/unscripted-supply-2022\/unscripted-22-eng\/the-monitoring-sample\/","og_locale":"en_US","og_type":"article","og_title":"The Monitoring Sample — APA Ricerche","og_description":"Ongoing analysis of the original entertainment production between September 1st, 2021 and May 31st, 2022 Monitored genres 35 NETWORKS \u2013 Commissioners of unscripted original content 6 OTTs Container shows, Entertainment, Factual, Game shows, Infotainment, Talent\/Reality\/Dating (T-R-D), Talk shows, Magazine, Docu Rai1, Rai2, Rai3, Rai4, Rai5, RaiPremium, RaiStoria, Rete4, Canale 5, Italia 1, Canale 20, Iris, La 5, Focus, Mediaset Extra, La7, […]","og_url":"https:\/\/ricerche.apaonline.it\/en\/research\/unscripted-supply-2022\/unscripted-22-eng\/the-monitoring-sample\/","og_site_name":"APA Ricerche","article_publisher":"https:\/\/www.facebook.com\/AssociazioneProduttoriAudiovisivi\/","article_modified_time":"2022-11-11T13:27:37+00:00","twitter_card":"summary_large_image","twitter_site":"@APAudiovisivi","twitter_misc":{"Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/ricerche.apaonline.it\/en\/research\/unscripted-supply-2022\/unscripted-22-eng\/the-monitoring-sample\/","url":"https:\/\/ricerche.apaonline.it\/en\/research\/unscripted-supply-2022\/unscripted-22-eng\/the-monitoring-sample\/","name":"The Monitoring Sample — APA Ricerche","isPartOf":{"@id":"https:\/\/ricerche.apaonline.it\/en\/#website"},"datePublished":"2022-10-28T15:56:51+00:00","dateModified":"2022-11-11T13:27:37+00:00","breadcrumb":{"@id":"https:\/\/ricerche.apaonline.it\/en\/research\/unscripted-supply-2022\/unscripted-22-eng\/the-monitoring-sample\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/ricerche.apaonline.it\/en\/research\/unscripted-supply-2022\/unscripted-22-eng\/the-monitoring-sample\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/ricerche.apaonline.it\/en\/research\/unscripted-supply-2022\/unscripted-22-eng\/the-monitoring-sample\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/ricerche.apaonline.it\/en\/"},{"@type":"ListItem","position":2,"name":"Ricerche","item":"https:\/\/ricerche.apaonline.it\/en\/archivio-ricerche\/"},{"@type":"ListItem","position":3,"name":"Unscripted Supply 2022","item":"https:\/\/ricerche.apaonline.it\/en\/research\/unscripted-supply-2022\/"},{"@type":"ListItem","position":4,"name":"Unscripted","item":"https:\/\/ricerche.apaonline.it\/en\/research\/unscripted-supply-2022\/unscripted-22-eng\/"},{"@type":"ListItem","position":5,"name":"The Monitoring Sample"}]},{"@type":"WebSite","@id":"https:\/\/ricerche.apaonline.it\/en\/#website","url":"https:\/\/ricerche.apaonline.it\/en\/","name":"APA Ricerche","description":"Presente e futuro dell'audiovisivo","publisher":{"@id":"https:\/\/ricerche.apaonline.it\/en\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/ricerche.apaonline.it\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/ricerche.apaonline.it\/en\/#organization","name":"APA Associazione Produttori Audiovisivi","url":"https:\/\/ricerche.apaonline.it\/en\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/ricerche.apaonline.it\/en\/#\/schema\/logo\/image\/","url":"https:\/\/ricerche.apaonline.it\/website\/wp-content\/uploads\/2023\/03\/APA_Logo_new.png","contentUrl":"https:\/\/ricerche.apaonline.it\/website\/wp-content\/uploads\/2023\/03\/APA_Logo_new.png","width":2146,"height":535,"caption":"APA Associazione Produttori Audiovisivi"},"image":{"@id":"https:\/\/ricerche.apaonline.it\/en\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/AssociazioneProduttoriAudiovisivi\/","https:\/\/x.com\/APAudiovisivi","https:\/\/www.linkedin.com\/company\/apt-associazione-produttori-televisivi\/"]}]}},"_links":{"self":[{"href":"https:\/\/ricerche.apaonline.it\/en\/wp-json\/wp\/v2\/ricerca\/6512"}],"collection":[{"href":"https:\/\/ricerche.apaonline.it\/en\/wp-json\/wp\/v2\/ricerca"}],"about":[{"href":"https:\/\/ricerche.apaonline.it\/en\/wp-json\/wp\/v2\/types\/ricerca"}],"version-history":[{"count":12,"href":"https:\/\/ricerche.apaonline.it\/en\/wp-json\/wp\/v2\/ricerca\/6512\/revisions"}],"predecessor-version":[{"id":7928,"href":"https:\/\/ricerche.apaonline.it\/en\/wp-json\/wp\/v2\/ricerca\/6512\/revisions\/7928"}],"up":[{"embeddable":true,"href":"https:\/\/ricerche.apaonline.it\/en\/wp-json\/wp\/v2\/ricerca\/6510"}],"wp:attachment":[{"href":"https:\/\/ricerche.apaonline.it\/en\/wp-json\/wp\/v2\/media?parent=6512"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}