{"id":3330,"date":"2020-09-21T10:01:04","date_gmt":"2020-09-21T08:01:04","guid":{"rendered":"https:\/\/ricerche.apaonline.it\/ricerca\/i-dati-dellofferta-rai-mediaset-sky-disney-fox-netflix-timvision-amazon-prime-2020\/trends\/rai\/"},"modified":"2020-10-02T10:37:25","modified_gmt":"2020-10-02T08:37:25","slug":"rai","status":"publish","type":"ricerca","link":"https:\/\/ricerche.apaonline.it\/en\/research\/i-dati-dellofferta-rai-mediaset-sky-disney-fox-netflix-timvision-amazon-prime-2020\/trends\/rai\/","title":{"rendered":"Rai"},"content":{"rendered":"\n

Raiuno titles<\/strong><\/p>\n\n\n\n

TV movies<\/p>\n\n\n\n

\"\"<\/figure>
\n

Biopic<\/strong>s<\/h4>\n\n\n\n

TV movies have taken the place and the role of the former 2-episode miniseries, feeding the collective memory genre through biographical stories. In addition to Enrico Piaggio <\/em>(the Season\u2019s most successful TV movie), Raiuno aired two titles dedicated to the world of entertainment (Permette? Alberto Sordi; I ragazzi dello Zecchino d’oro<\/em>) and a true story on social commitment (Tutto il giorno davanti<\/em>).<\/p>\n<\/div><\/div>\n\n\n\n

\"\"<\/figure>
\n

Docufiction<\/strong><\/h4>\n\n\n\n

Raiuno has bolstered its biographies and collective memory genres through docufictions. Three titles were aired this Season: Storia di Nilde <\/em>(the Season\u2019s most successful docufiction,) Giorgio Ambrosoli<\/em> and Io ricordo. Piazza Fontana<\/em>.<\/p>\n<\/div><\/div>\n\n\n\n

\"\"<\/figure>
\n

Collection<\/strong>s<\/h4>\n\n\n\n

The collection C\u2019era una volta Vigata\u00a0 <\/em>based on Camilleri\u2019s novelshas been adapted as one TV movie per season. This year\u2019s La concessione del telefono <\/em>wasa fierce satire less popular than the previous two titles. For the fourth season of the romantic comedy collection Purch\u00e9 finisca bene, <\/em>two titles were aired.<\/em><\/p>\n<\/div><\/div>\n\n\n\n

Source: OFI<\/p>\n\n\n\n

Raiuno titles<\/strong><\/p>\n\n\n\n

Primetime series<\/p>\n\n\n\n
Long-running series<\/strong><\/td>Second & third seasons<\/strong><\/td>New series<\/strong><\/td><\/tr>
Il commissario Montalbano (14)
Don Matteo 12
Un passo dal cielo 5<\/td>		I Medici (3)
L\u2019amica geniale (2)
La vita promessa 2
La strada di casa 2<\/td>		Doc \u2013 Nelle tue mani
Vivi e lascia vivere
Imma Tataranni
Come una madre
Pezzi unici
Ognuno \u00e8 perfetto
Bella da morire
La guerra \u00e8 finita<\/td><\/tr><\/tbody><\/table>\n\n\n\n

Source: OFI<\/p>\n\n\n\n

Only few series are long-running (Don Matteo <\/em>and Un passo dal cielo<\/em>: 10 evenings each). All others are 3-6 evenings per season.<\/p>\n\n\n\n

Successful titles can be found within long-running series, (ll commissario Montalbano<\/em>, Don Matteo<\/em>), second seasons (L\u2019amica genial,<\/em>) and also new titles, most of which ranked higher than 20%.<\/p>\n\n\n\n

Ratings were lower than expected among second\/third season titles. In some cases, limited series<\/em>, just as the miniseries they\u2019ve come to replace, are built on narrative mechanisms that are difficult to repeat.<\/p>\n\n\n\n

Raiuno \u2013 New titles<\/strong><\/p>\n\n\n\n

Recurring heroes<\/p>\n\n\n\n

\"\"<\/figure>
\n

Imma Tataranni<\/strong><\/h4>\n\n\n\n

A new detective series based on a literary collection<\/strong> (Mariolina Venezia\u2019s novels), adds a successful recurring hero to Raiuno\u2019s library, siding Il commissario Montalbano <\/em>(Camilleri), I bastardi di Pizzofalcone<\/em> (De Giovanni), L\u2019allieva <\/em>(Gazzola).<\/p>\n<\/div><\/div>\n\n\n\n

\"\"<\/figure>
\n

Doc \u2013 Nelle tue mani<\/strong><\/h4>\n\n\n\n

With Doc \u2013 Nelle tue mani<\/em>, freely inspired by a real character and his unique story (a selective amnesia that erases 12 years of memory), the hospital<\/strong> genre is successfully back on Raiuno after a few years of absence.<\/p>\n<\/div><\/div>\n\n\n\n

Source: OFI<\/p>\n\n\n\n

Raiuno \u2013 New titles<\/strong><\/p>\n\n\n\n

Women & the Star System<\/p>\n\n\n\n

\"\"<\/figure>
\n

Come una madre<\/strong><\/h4>\n\n\n\n

A new strong and passionate maternal figure tailored to Vanessa Incontrada <\/strong>who extends a personal track-record of successes on Raiuno that began with Un\u2019altra vita <\/em>(2014) <\/em>and continued with Non dirlo al mio capo <\/em>(2016-2018), Scomparsa <\/em>(2017), Il capitano Maria<\/em> (2018).\u00a0<\/p>\n<\/div><\/div>\n\n\n\n

\"\"<\/figure>
\n

Vivi e lascia vivere<\/strong><\/h4>\n\n\n\n

The star of one of Raiuno’s longest-running and most successful series (Che Dio ci aiuti<\/em>), Elena Sofia Ricci has temporarily retreated from the role of Sister Angela to give life to a less reassuring and more problematic character but again gifted with charisma and leadership skills.<\/p>\n<\/div><\/div>\n\n\n\n

Source: OFI<\/p>\n\n\n\n

Raiuno \u2013 New titles<\/strong><\/p>\n\n\n\n

Youngsters and marginalization<\/p>\n\n\n\n

\"\"<\/figure>
\n

Pezzi unici<\/strong><\/h4>\n\n\n\n

Two great stars of Italian fiction (Cinzia TH Torrini and Sergio Castellitto) join forces for the first time in a story about a unique cultural clash: the conflictual encounter between a group of difficult foster children and the strict disciplined temperament of a craftsman, owner of a renowned workshop in the heart of Florence.\u00a0<\/p>\n<\/div><\/div>\n\n\n\n

\"\"<\/figure>
\n

Ognuno \u00e8 perfetto<\/strong><\/h4>\n\n\n\n

Inspired by the Belgian series Tytgat Chocolat<\/em>, with a skillful mix of drama and light-heartedness, this series stages the story of a young man with Down syndrome who manages to be hired in the packaging department of an ancient chocolate shop where other boys with Down syndrome work. Directed by Giacomo Campiotti, former director of Braccialetti rossi<\/em>.<\/p>\n<\/div><\/div>\n\n\n\n

Source: OFI<\/p>\n\n\n\n

Rai – A rising trend<\/strong><\/p>\n\n\n\n

Noir variations<\/em><\/p>\n\n\n\n

The noir<\/em> approach, not only to crime stories, but more generally to characters, everyday worlds, and emotional relationships, is an international trend that has found a strong echo in Rai titles this Season, especially on Raiuno.<\/p>\n\n\n\n

Come una madre <\/em>is a melodrama on a mother, Vivi e lascia vivere <\/em>a story on women empowerment and solidarity, Pezzi unici <\/em>a series on redemption and Bildungsroman, La strada di casa 2 <\/em>a family series. These titles share a precise element: the drama is set in motion by a criminal event which then has a substantial impact on the tone and structure of the story, generating noir<\/em> variations of the classic stories of love and relationships. Noir<\/em> has replaced melodrama as a tool to accelerate the process of spurring emotions and engaging the audience.<\/p>\n\n\n\n

\"\"<\/figure>
\n

<\/h4>\n\n\n\n

The plot revolves around the burning topic of femicides with a typically British narrative approach: dramatic, far from journalistic edgings and with a strong focus on the genre\u2019s narrative dynamics and character exploration. <\/p>\n\n\n\n

Bella da morire <\/em><\/strong>is an emblematic example of the noir<\/em> thread in Rai titles this season running through thematic storytelling, everyday settings and characters.<\/p>\n<\/div><\/div>\n\n\n\n

Source: OFI<\/p>\n\n\n\n

Rai<\/strong><\/p>\n\n\n\n

Specialty channels and streaming platforms<\/p>\n\n\n\n

\n
\n
\"\"
Jams 2 <\/em>(20×24\u2019)
Jams#UnitiPi\u00f9CheMai <\/em>
(5×25\u2019) <\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Passeggeri notturni <\/em>(10×13\u2019)
Liberi tutti <\/em>(12×26\u2019)
Un po\u2019 sto a casa <\/em>(40×4\u2019)
La mia jungla <\/em>(5×3\u2019) <\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

Series based on low budget and concept (relational: kids, comedy, intimate dramas) with short-length episodes were the key choices of the original fiction offer of kids\u2019 network Rai Gulp and the streaming platform Raiplay. Thanks to their agile formats \u2013 both from a narrative and productive point of view \u2013 these were the first products shot after the lockdown (Jams#UnitiPi\u00f9CheMai<\/em>, Un po\u2019 sto a casa<\/em>, La mia jungla<\/em>).<\/p>\n","protected":false},"featured_media":0,"parent":3328,"menu_order":0,"template":"","class_list":["post-3330","ricerca","type-ricerca","status-publish","hentry"],"acf":[],"yoast_head":"\nRai — APA Ricerche<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ricerche.apaonline.it\/en\/research\/i-dati-dellofferta-rai-mediaset-sky-disney-fox-netflix-timvision-amazon-prime-2020\/trends\/rai\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Rai — APA Ricerche\" \/>\n<meta property=\"og:description\" content=\"Raiuno titles TV movies Biopics TV movies have taken the place and the role of the former 2-episode miniseries, feeding the collective memory genre through biographical stories. 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