{"id":3072,"date":"2020-09-20T11:35:09","date_gmt":"2020-09-20T09:35:09","guid":{"rendered":"https:\/\/ricerche.apaonline.it\/ricerca\/the-domestic-audiovisual-production-economic-value-trends-and-challenges-of-a-fast-developing-industry\/la-produzione-audiovisiva-2017-2019\/"},"modified":"2020-10-14T18:41:27","modified_gmt":"2020-10-14T16:41:27","slug":"the-audiovisual-production-2017-2019","status":"publish","type":"ricerca","link":"https:\/\/ricerche.apaonline.it\/en\/research\/the-domestic-audiovisual-production-economic-value-trends-and-challenges-of-a-fast-developing-industry\/the-audiovisual-production-2017-2019\/","title":{"rendered":"The audiovisual production 2017 \u2014 2019"},"content":{"rendered":"\n\n<div id=\"grafico-block_5f6721fb524ef\" class=\"grafico mb-5\">\n\n     <p class=\"titoletto pt-2 mb-3 bd\">Breakdown of the domestic audiovisual production value by macro-genres (including co-productions) years 2017 &#8211; 2018 and first estimate 2019 <br \/>\n          <span class=\"small text-black-50\">(\u20ac millions)<\/span>     <\/p>\n\n          <img decoding=\"async\" src=\"https:\/\/ricerche.apaonline.it\/website\/wp-content\/uploads\/2020\/09\/EN-ITALIAN-ORIGINAL-04@2x.png\" class=\"img-fluid\" \/>\n     \n          <!--p class=\"small text-black-50 \"><br\/-->\n     <p class=\"fonte_grafico mt-2\">Source: e-Media elaborations for APA on theatrical Mibact data and key players reports<br \/>\n          (*) Theatrical: The production cost data related to theatrical films have been extracted from \u00ab Tutti i numeri del Cinema italiano\u00bb years 2017 and 2018 published by MIBACT &#8211; Direzione Generale Cinema e Audiovisivo. In absence of the new edition of this publication, data relating to 2019 are the result of an indicative estimate and will be subject to revision. The figures also include a share of films within the animation genre.<\/p>\n     \n<\/div>\n\n\n<p>The domestic audiovisual production (theatrical, TV and OTT products, aside from all news and sport shows) has totaled a value of approximately \u20ac 1.2 billion in 2018, recording a significant increase of approximately 14% compared to 2018. The increase is essentially due to the budget growth in the theatrical (+ \u20ac 120 million) and tv fiction (+ \u20ac 33 million) segments.<\/p>\n\n\n\n<p>Measured by macro-areas of genre, the audiovisual production in 2018 also highlights a primacy of fiction (TV films, series, mini-series, sit-coms, soap-operas, telefilms) meant for TV and OTT platforms.<\/p>\n\n\n\n<p>Other television genres (entertainment programs, talk shows, documentaries, cultural and in-depth shows, etc.) and partly OTT, total a value between \u20ac 300 and \u20ac 340 million. Within this area, entertainment shows are the leading genre.<\/p>\n\n\n\n\n<div id=\"grafico-block_5f672260524f0\" class=\"grafico mb-5\">\n\n     <p class=\"titoletto pt-2 mb-3 bd\">Percentage breakdown of the domestic audiovisual production by macro-genres (including  co-productions) years 2017 &#8211; 2018 and first estimate 2019 <br \/>\n          <span class=\"small text-black-50\">(% value)<\/span>     <\/p>\n\n          <img decoding=\"async\" src=\"https:\/\/ricerche.apaonline.it\/website\/wp-content\/uploads\/2020\/09\/Artboard-5@2x-13.21.33.png\" class=\"img-fluid\" \/>\n     \n          <!--p class=\"small text-black-50 \"><br\/-->\n     <p class=\"fonte_grafico mt-2\"> Fonte: elabSource: e-Media elaborations for APA on theatrical Mibact data and key players reportsorazioni e-Media per APA su dati Mibact (per il cinema) e dichiarazioni degli operatori<\/p>\n     \n<\/div>\n\n\n<p>The percentage breakdown of the total volume of investment by macro-genres discloses the primacy of fiction (TV + OTT,) which in 2018 was worth 37% of the market. This is followed by theatrical, which after a year of limited investments (2017) has pulled off 31%.<\/p>\n\n\n\n<p>Other TV genres (essentially entertainment shows, documentaries, talk shows, in-depth programs) and OTTs (in its lowest 300 million estimate) account for 25% of the total market.&nbsp;<\/p>\n\n\n\n<p>In 2018, the animation genre was worth about 6% of the total domestic production budget. Yet, although minimal, part of the animation investment is included in the theatrical figure. It should also be noted that investments in animation products (\u20ac 75 million in 2018) also include foreign investments in minor co-productions.<\/p>\n","protected":false},"featured_media":0,"parent":3054,"menu_order":5,"template":"","class_list":["post-3072","ricerca","type-ricerca","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The audiovisual production 2017 \u2014 2019 &#8212; APA Ricerche<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ricerche.apaonline.it\/en\/research\/the-domestic-audiovisual-production-economic-value-trends-and-challenges-of-a-fast-developing-industry\/the-audiovisual-production-2017-2019\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The audiovisual production 2017 \u2014 2019 &#8212; APA Ricerche\" \/>\n<meta property=\"og:description\" content=\"The domestic audiovisual production (theatrical, TV and OTT products, aside from all news and sport shows) has totaled a value of approximately \u20ac 1.2 billion in 2018, recording a significant increase of approximately 14% compared to 2018. 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