{"id":11454,"date":"2024-10-30T17:04:53","date_gmt":"2024-10-30T16:04:53","guid":{"rendered":"https:\/\/ricerche.apaonline.it\/ricerca\/offerta-unscripted-2024\/"},"modified":"2024-10-30T17:32:47","modified_gmt":"2024-10-30T16:32:47","slug":"unscripted-supply-2024","status":"publish","type":"ricerca","link":"https:\/\/ricerche.apaonline.it\/en\/research\/unscripted-supply-2024\/","title":{"rendered":"Unscripted Supply 2024"},"content":{"rendered":"\n<ol class=\"wp-block-list\">\n<li><strong>Linear tv entertainment is stable<br><\/strong>The 2023\/2024 season shows consistency in linear unscripted titles that have grown by +8% and by +1% hours. A total of 17,106 hours of first-run unscripted content was aired on linear networks, with a growth of +8% compared to 2022\/2023 (total monitored content: 778).<\/li>\n\n\n\n<li><strong>OTT sets back<\/strong><br>OTT services mark negative: the season accounts for 87 original titles totaling 278 hours, a drop compared to the 2022\/23 season, both in titles (-9%) and hours (-17%).<br>Compared to the previous season titles, Amazon (from 29 to 16), Discovery+ (from 7 to 4) and Raiplay (from 39 to 31) are down. The 2022\/23 hourly volume comparison has also marked a decrease on Amazon (from 59 to 31 hours), Mediaset Infinity (from 139 to 93), Raiplay (from 87 to 69).<\/li>\n\n\n\n<li><strong>Indies grow only thanks to linear<\/strong><br>Compared to the 2022\/23 season, outsourced productions record two positive figures on linear networks with +8% titles and +3% hours (in-house, respectively, +10% and +1%) , while it loses ground on OTTs, with -20% titles and -25% hours (in-house productions hold up better, recording +9% in hourly volume)<\/li>\n\n\n\n<li><strong>International formats decrease, italian broadcast formats grow<\/strong><br>Overall, 47 titles were adapted from International formats, -10% compared to 2022-23, but +3% in terms of programming hours. The negative trend in formats adds to a strong decrease in field innovation: only 17% of the adaptations is original content. Among the genres, the decline mainly concerns Game, Factual and Entertainment (all down -20%), while T-R-D, the first genre among formats (half of the total), is stable. On the other hand, Italian formats broadcast during the season have further grown (+9% titles, +25% programming hours), resorting to reboots and &#8220;returns&#8221; after seasons of absence.<\/li>\n\n\n\n<li><strong>Original content in growth<\/strong><br>The 10% increase in original titles balances the 2021-22 figures. The original content hours impact only 12% of the total programming but are however stable compared to the previous season.<br>Infotainment and Talk are the most innovative genres compared to the previous season, both with a strong increase in programming hours (respectively +210% and +363%) together with the Container programs. Game Shows drop in original content hours.<\/li>\n\n\n\n<li><strong>Linear TV returns to the innovation level of two seasons ago. OTT slackens <br><\/strong>Linear TV rewards innovation, with a 15% increase compared to the previous season. OTT is the established experimental platform (80% original titles), but in decline by -13% compared to 2022-23. Among channels, Raitre and La7 recorded the greatest increase in original content, confirming the multi-polarity process of the television system also in the field of innovation: Raitre is in first place with 70 new aired titles, increasing its share by 79%, while La7 records a +120%. Among OTTs, the most significant leap is MediasetInfinity\u2019s (+300%). The impact of original content on the total hours of unscripted rewards Focus (+74%) and Retequattro (+21%) among the generalist channels.<\/li>\n<\/ol>\n","protected":false},"featured_media":11835,"parent":0,"menu_order":0,"template":"","class_list":["post-11454","ricerca","type-ricerca","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Unscripted Supply 2024 &#8212; APA Ricerche<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ricerche.apaonline.it\/en\/research\/unscripted-supply-2024\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Unscripted Supply 2024 &#8212; APA Ricerche\" \/>\n<meta property=\"og:url\" content=\"https:\/\/ricerche.apaonline.it\/en\/research\/unscripted-supply-2024\/\" \/>\n<meta property=\"og:site_name\" content=\"APA Ricerche\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/AssociazioneProduttoriAudiovisivi\/\" \/>\n<meta property=\"article:modified_time\" content=\"2024-10-30T16:32:47+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/ricerche.apaonline.it\/website\/wp-content\/uploads\/2024\/10\/APA_Ricerche_CeRTA_Offerta_Unscripted_2024.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1537\" \/>\n\t<meta property=\"og:image:height\" content=\"2049\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@APAudiovisivi\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/ricerche.apaonline.it\/en\/research\/unscripted-supply-2024\/\",\"url\":\"https:\/\/ricerche.apaonline.it\/en\/research\/unscripted-supply-2024\/\",\"name\":\"Unscripted Supply 2024 &#8212; 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