{"id":1797,"date":"2019-11-07T17:11:57","date_gmt":"2019-11-07T16:11:57","guid":{"rendered":"https:\/\/ricerche.apaonline.it\/news\/gli-unscripted-trend-del-2019\/"},"modified":"2019-11-07T17:14:24","modified_gmt":"2019-11-07T16:14:24","slug":"gli-unscripted-trend-del-2019","status":"publish","type":"post","link":"https:\/\/ricerche.apaonline.it\/en\/articles\/gli-unscripted-trend-del-2019\/","title":{"rendered":"The unscripted Trends of 2019"},"content":{"rendered":"\n

La classifica di format 2019<\/strong>
Archiviato il Mipcom (Cannes 14\/17 ottobre 2019) \u00e8 tempo di riflessioni per individuare alcuni macro-trend dell\u2019intrattenimento nel genere unscripted. Dai dati diffusi durante la conferenza di Virginia Mouseler (Cannes, luned\u00ec 14 ottobre 2019) la lista degli unscripted format \u00e8 dominata dai talent show: al numero uno si posiziona ancora una volta The Voice (Talpa) con relativi spin-off (Kids e Senior), mentre tra i singing contest emerge All Together Now (Endemol Shine). Ancora una volta, imbattibile il quiz show The Millionaire (Endemol Shine) ma si affaccia il K-trend con il format coreano The King of Mask Singer (MBC) ormai adattato in 20 paesi del mondo, tra cui i top5 (Germania, Francia, Spagna, UK e Italia). Stabili i cooking show con Masterchef (Endemol Shine) e tra i game show: You can\u2019t ask that (ABC commercial Australia), Guess my age e il sexy dating show Love Island che ha spopolato la scorsa estate sugli schermi di ITV ma \u00e8 stato adattato anche in diversi paesi tra cui Germania.<\/p>\n\n\n\n

Top\nRated Formats 2019<\/strong><\/p>\n\n\n\n

Now\nthat Mipcom (Cannes 14\/17 October 2019) is over, it\u2019s time to sort\nit out, in order to highlight the macro-trends that have been taking\nplace in the showbiz among unscripted genres. According to the data\nexamined at Virginia Mouseler\u2019s conference (Cannes, Monday 14\nOctober 2019), the list of unscripted formats is dominated by talent\nshows: number one is again The\nVoice <\/em>(Talpa)\nand its spin-offs (Kids and Senior), while among the singing contests\nthere\u2019s All\nTogether Now<\/em>\n(Endemol Shine). Once more, the quiz show The\nMillionaire<\/em>\n(Endemol Shine) has proven to be unbeatable but there\u2019s a K-trend,\na Korean format, The\nKing of Mask Singer<\/em>\n(MBC) adapted worldwide in 20 countries, among which the top 5\n(Germany, France, Spain, UK and Italy). Cooking shows like\nMasterchef<\/em>\n(Endemol Shine) are steady, as for the game shows You\nCan\u2019t Ask That<\/em>\n(ABC commercial Australia) and Guess\nMy Age<\/em>,\nwhile the sexy dating show Love\nIsland<\/em>\nenjoyed a smashing success last summer on ITV leading to numerous\nadaptations, Germany included. \n<\/p>\n\n\n\n

The\nMacrotrends of the Unscripted Entertainment <\/strong>\n<\/p>\n\n\n\n

These\nare the most important titles of the year but let\u2019s analyze the\ntrends within the genre. \n<\/p>\n\n\n\n

Drag\nqueen-maniais\nstill thriving, as already noted at Miptv (Cannes, April 8\/11, 2019)\nwhen some of the most important format distribution companies\npresented unusual titles, starting from NBC Universal\u2019s The\nDiva in Me<\/em>\n(factual entertainment, 13×30\u2019) aired for the first time in Brazil\nwith the title Drag\nMe As a Queen<\/em>.\nNot to be outdone, Warner Bros\u2019 House\nof Drag<\/em>\nand Hat Trick\u2019s The\nDrag Lab <\/em>–\nrenamed Drag\nSOS<\/em>\nat the latest market – confirmed the format\u2019s relaunch. At Cannes,\nthe main distribution companies had a title in their library,\nstarting from Armoza Formats that presented Queens\nof Love<\/em>,\na fun dating show, while Passion Distribution consecrated drag RuPaul\nand his new British version of the show, RuPaul\u2019s\nUK Drag Race <\/em>(BBC\nThree, 8×60\u2019) the \u201cundisputed queen of the Croisette\u201d. At\nMipcom, he gave a Media\nMastermind Keynote at\nthe Grand Auditorium, where he also accepted the prestigious \u201cVariety\nVanguard Awards\u201d. Not to mention that a long queue of buyers and\nfans waited for hours just to get a photo with him during an\nexclusive cocktail at the Martinez Hotel. Not to mention that for\nquite a few years, RuPaul has been collecting tv awards \u2013 from the\n70th Primetime Emmy Awards (Los Angeles, 17 September 2018) to the\nUnscripted Breakthrough Awards for Best Show (Natpe Miami, 22\/24\nJanuary 2019), just to mention a few. Numbers don\u2019t lie: RuPaul\u2019s\nworld has already conquered millions of viewers. Now at Season 12 in\nthe US, the format has been sold to Holland, Australia, Sweden,\nSwitzerland, Canada. So we can say that the drag queen mania is a\nconsolidated yet not exasperated trend, considered a philosophy of\npop lifestyle where everyone finds their own hidden beauty also\nthanks to the eccentricity of its exuberant protagonists, as in the\nIsraeli format Queens\nof Love<\/em>,\nwhere three drag queens are crucial in the selection of contenders\nfor a desperate single woman. \n<\/p>\n\n\n\n

Not\nall formats however are made of glitter and sequins: another\nconsolidated trend appears to be the elderly, seen from the point of\nview of the millennials. In Lodgers\n<\/em>(Banijay\nRights), a few kids live in the house of an older man in exchange of\ncompany: at the end of the week spent together, they can decide\nwhether to continue living together or \u2018break up\u2019. The same\nconcept is behind the English format OAP\nB&B<\/em>\n(BBC Studios): teenagers don\u2019t pay rent but dedicate part of their\ntime to lonely old people in need of love. The Dutch format is more\nintense and dramatic (the Dutch have always proven to be breakthrough\npioneers when dealing with controversial matters, such as euthanasia,\nterminal illnesses, and more): in Take\nover, Take care<\/em>,\nsix celebrities take care of six ill old people with disabilities.\nThanks to this, their families can take off for a holiday. All this\nof course points out to the issues that come along with illnesses,\nsuch as family care and the high costs that burden the families.<\/p>\n\n\n\n

Grandparents\nare the protagonists of the intense factual My\nParent\u2019s War <\/em>distributed\nby DRG. Celebrities undertake an emotional trip in search of their\npast, through the reconstruction of dramatic events that took place\nduring WW2, while discovering the heroic deeds of their grandparents.<\/p>\n\n\n\n

In\nthe Polish format Sanatorium\nof Love<\/em>\n(TVP1, 10×45\u2019), six elder but lively men and women full of spirit\nsettle into a luxury hotel in the mountains where they dance, play\ngames and take walks while over-70 friendships and love affairs\nbloom.<\/p>\n\n\n\n

It\u2019s\nalso time for #diversity and integration, so you won\u2019t find\ndiscrimination or barriers in Restaurante\nsin barreras<\/em>,\na format created by a small Basque indie network (EiTB 8×60\u2019).\nHere, a group of kids with physical and mental disabilities work in a\nrestaurant led by real chefs to show the world they can prepare tasty\ndishes and overcome prejudice. We had already seen this theme at\nMIPTV in April when the German network Red Arrow International\nlaunched the format The\nRestaurant That Makes Mistakes<\/em>\naired in UK. In this case, the team was made up of people with mental\nproblems. \n<\/p>\n\n\n\n

After\nthe success of The\nMasked Singer<\/em>\nadapted by US FOX, the k-format trend arriving from Korea has been\nconfirmed a winner. As already mentioned, the format has been adapted\nin 20 countries: coming soon in Germany and UK, in France where TF1\nhas already launched it last October and in Italy (where it should be\naired on Rai1 in 2020), it appears to be the most brilliant\nexpression of the Asian invasion of a genre: the singing talent show.\nThe same goes for shows such as 300\nWar of United Voices<\/em>,\nwhere artists dance the evening away with their fans. This format has\nalready been licensed in Germany and optioned in France, Italy,\nSpain, Holland and USA. Let\u2019s not leave behind Fan\nWars<\/em>,\naired by SBS: a knockdown challenge among groups of fans that compete\nfor votes supported by their favorite singers. In Super\nHearers<\/em>,\nbroadcasted by Korean tvN, a game show blends with a musical show,\nstaging two opposite groups, the \u201cHearers\u201d vs the \u201cVillains\u201d,\nin an attempt to guess the singers. \n<\/p>\n\n\n\n

And\nfinally, we need to mention game shows, a guaranteed genre, also in\nthe consideration of the growing request for more and more innovative\nconcepts.<\/p>\n\n\n\n

\nBanijay\u2019s new format\nDon\u2019t<\/em>\nwon the market based upon the concept of \u201cdoing nothing\u201d. The\nentertaining Israeli format Laughing\nAll the Way to the Bank <\/em>by\nGil Format bestows money upon those that make a nasty network\naccountant laugh during a limo ride. The collaboration between\ncreative Japanese and western producers has grown closer to create\nnew game shows as in TBS\u2019 Time\nIs Money \u2013 The Celebrity Life Hack Show <\/em>devised\nby British author Dave Winnan of Global Creative and the Japanese\nnetwork, where a celebrity shares his or her secrets to save time and\nmoney. In Red\nCarpet Survivol <\/em>by\nNippon TV, two groups of VIPs and their bodyguards face a series of\ntests and obstacles, while in Block\nout<\/em>\ndistributed by the German company Red Arrow Studios and created in\ncollaboration with the Japanese network Nippon TV, contests need to\nanswer trivia questions while hanging from a brick wall without\nfalling.<\/p>\n\n\n\n

I macro trend dell\u2019unscripted entertainment <\/strong>
Questi i titoli pi\u00f9 importanti dell\u2019anno, ma vediamo in dettaglio quali sono alcuni dei trend di genere nell\u2019unscripted.
\u00c8 ancora drag queen-mania. Si era gi\u00e0 visto al Miptv (Cannes 8\/11 aprile 2019) quando alcune tra le pi\u00f9 importanti societ\u00e0 di distribuzione format avevano presentato alcuni insoliti titoli a cominciare dalla NBC Universal con il titolo The Diva in me (factual entertainment, 13×30\u2019), trasmesso per la prima volta in Brasile con il titolo Drag me as a queen. Non da meno, la Warner Bros con il suo House of Drag e Hat Trick con The Drag Lab, ribattezzato Drag SOS all\u2019ultimo mercato con il grande rilancio del format. Ebbene a Cannes le principali case di distribuzione avevano in catalogo un titolo a cominciare da Armoza Formats che ha presentato il divertente dating show Queens of Love mentre la societ\u00e0 Passion Distribution ha definitivamente consacrato la drag RuPaul e la nuova versione inglese RuPaul\u2019s UK Drag Race (BBC Three, 8×60\u2019) come \u201cregina indiscussa della Croisette\u201d. Mipcom gli ha dedicato un panel al Grand Auditorium, mentre Variety lo ha insignito del prestigioso riconoscimento \u201cVariety Vanguard Awards\u201d ed una coda di buyers e simpatizzanti ha atteso ore per farsi una foto con Charles al Martinez durante un esclusivo cocktail. Non dimentichiamoci che da alcuni anni RuPaul colleziona premi televisivi dal 70th Primetime Emmy Awards (Los Angeles, 17 settembre 2018) all\u2019Unscripted Breakthrough Awards come miglior programma dell\u2019anno (Natpe Miami 22\/24 gennaio 2019) tanto per citarne alcuni. I numeri parlano chiaro: il mondo di RuPaul ha gi\u00e0 conquistato milioni di telespettatori, arrivato alla 12 stagione in USA, \u00e8 stato venduto in Olanda, Australia, Svezia, Svizzera, Canada.
Dunque, drag queen mania, un trend consolidato ma non esasperato, inteso come una filosofia di lifestyle pop in cui ognuno di noi pu\u00f2 trovare la propria bellezza nascosta anche grazie all\u2019estrosit\u00e0 dei suoi esuberanti protagonisti, come nel format israeliano Queens of Love, laddove le tre drag queen sono cruciali nella selezione dei candidati per una single disperata.<\/p>\n\n\n\n

Ma non \u00e8 solo lustrini e paillette, un altro grande trend consolidato \u00e8 quello della terza et\u00e0, questa volta letto con l\u2019occhio dei millennials. In Lodgers (Banijay Rights) alcuni ragazzi vivono a casa di un anziano in cambio di compagnia: alla fine della settimana trascorsa insieme, si decide se continuare o lasciarsi. Stesso concept nel format inglese OAP B&B (BBC Studios), i teen non pagano l\u2019affitto ma dedicano parte del loro tempo agli anziani soli e bisognosi di affetto. Pi\u00f9 intenso e drammatico \u00e8 il format olandese (sempre all\u2019avanguardia nell\u2019affrontare temi scottanti come eutanasia, malattie terminali etc.) Take over, Take care, in questo caso sei celebrit\u00e0 accudiscono altrettante persone malate, anziani e disabili. Questo permette ai familiari una settimana di svago in una localit\u00e0 di vacanza, mentre emerge prepotente il problema dell\u2019assistenza familiare e dei costi che gravano interamente sulle famiglie.
\nSono sempre i nonni i protagonisti dell\u2019intenso factual My Parent\u2019s war distribuito da DRG. Alcune celebrit\u00e0 intraprendono un viaggio emozionante alla ricerca del loro passato, attraverso la ricostruzione di eventi drammatici avvenuti durante la II Guerra Mondiale scoprendo gesta ed imprese eroiche dei loro nonni.
\nSono invece allegri e pieni di vita invece gli arzilli vecchietti del format polacco Sanatorium of Love (TVP1, 10×45\u2019). I dodici (sei donne e sei uomini) accettano un soggiorno in un lussuoso hotel tra le cime dei monti e qui tra giochi, balli ed escursioni nascono amicizie e amore over 70. <\/p>\n\n\n\n

\u00c8 tempo anche per #diversity e accoglienza. Niente discriminazioni n\u00e9 barriere come in Restaurante sin barreras, format nato in una piccola indipendente tv basca (EiTB 8×60\u2019). In questo caso un gruppo di ragazzi con disabilit\u00e0 fisiche e mentali lavorano in un ristorante accompagnati da veri chef per mostrare al mondo che possono preparare gustosi piatti e vincere i pregiudizi. Tema questo che avevamo gi\u00e0 visto anche al MIPTV di aprile, quando la societ\u00e0 tedesca Red Arrow International aveva lanciato il format The Restaurant that makes mistakes trasmesso in UK. In questo caso il team era composto da persone con problemi mentali. <\/p>\n\n\n\n

Confermato il trend dei k-formats provenienti dalla Corea dopo il successo esploso con The Masked Singer e l\u2019adattamento americano della FOX. Il format \u00e8 stato adattato in 20 paesi, come abbiamo gi\u00e0 detto: in arrivo in Germania e UK, in Francia dove TF1 lo ha lanciato lo scorso ottobre e Italia (dovrebbe partire su Rai 1 nel 2020). Si tratta dell\u2019espressione pi\u00f9 brillante dell\u2019invasione asiatica di un genere, quello dei singing talent show, visto anche nei programmi come 300 War of United Voices, dove gli artisti ballano e danzano insieme ai loro fan. Questo format \u00e8 gi\u00e0 stato licenziato in Germania, mentre \u00e8 stato opzionato in Francia, Italia, Spagna, Olanda e USA. Citiamo anche Fan Wars, trasmesso da SBS: una sfida all\u2019ultimo applauso tra gruppi di fan che si esibiscono cercando di attrarre pi\u00f9 voti, supportati dai loro cantanti preferiti. In Super Hearers, trasmesso da tvN il game si mescola con il musical show, mettendo in scena due gruppi opposti gli \u201cHearers\u201d contro i \u201cVillains\u201d per cercare di indovinare un cantante.<\/p>\n\n\n\n

Infine, non possiamo non citare i game show, genere che non pu\u00f2 mai mancare, vista la crescente richiesta di concept sempre pi\u00f9 innovativi.
\n Ha dominato il nuovo format di Banijay Don\u2019t il cui concept si identifica con l\u2019ordine di \u201cnon fare qualcosa\u201d. Ha stupito il divertente format israeliano di Gil Format Laughing all the way to the bank, in cui un concorrente vince denaro se riesce a far ridere una cattivissima contabile di un network televisivo nel lasso temporale di un tragitto in limousine. Mentre si intensifica la collaborazione con i creativi giapponesi e produttori occidentali per creare nuovi game show come in Time is money di TBS sviluppato insieme all\u2019autore inglese Dave Winnan di Global Creative e il Network giapponese. In questo caso in studio una celebrit\u00e0 condivide i propri segreti per risparmiare tempo e denaro. In Red Carpet Survivol di Nippon TV la sfida \u00e8 tra due gruppi e i loro bodyguard che attraversano una serie di prove ed ostacoli per vincere, in Block out distribuito dalla tedesca Red Arrow Studios ma nato in collaborazione con la giapponese Nippon TV i concorrenti non solo rispondono ad una serie di quiz trivia, ma devono rimanere sospesi su un muro di mattoni senza cadere nel vuoto.<\/p>\n","protected":false},"excerpt":{"rendered":"

La classifica di format 2019Archiviato il Mipcom (Cannes 14\/17 ottobre 2019) \u00e8 tempo di riflessioni per individuare alcuni macro-trend dell\u2019intrattenimento nel genere unscripted. Dai dati diffusi durante la conferenza di Virginia Mouseler (Cannes, luned\u00ec 14 ottobre 2019) la lista degli unscripted format \u00e8 dominata dai talent show: al numero uno si posiziona ancora una volta […]<\/p>\n","protected":false},"author":2,"featured_media":1795,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[22],"tags":[271,272,270,273,269,274],"class_list":["post-1797","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articles","tag-entertainment","tag-entertainment-en","tag-mipcom","tag-mipcom-en","tag-unscripted","tag-unscripted-en"],"acf":[],"yoast_head":"\nThe unscripted Trends of 2019 — APA Ricerche<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ricerche.apaonline.it\/en\/articles\/gli-unscripted-trend-del-2019\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The unscripted Trends of 2019 — APA Ricerche\" \/>\n<meta property=\"og:description\" content=\"La classifica di format 2019Archiviato il Mipcom (Cannes 14\/17 ottobre 2019) \u00e8 tempo di riflessioni per individuare alcuni macro-trend dell\u2019intrattenimento nel genere unscripted. Dai dati diffusi durante la conferenza di Virginia Mouseler (Cannes, luned\u00ec 14 ottobre 2019) la lista degli unscripted format \u00e8 dominata dai talent show: al numero uno si posiziona ancora una volta […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/ricerche.apaonline.it\/en\/articles\/gli-unscripted-trend-del-2019\/\" \/>\n<meta property=\"og:site_name\" content=\"APA Ricerche\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/AssociazioneProduttoriAudiovisivi\/\" \/>\n<meta property=\"article:published_time\" content=\"2019-11-07T16:11:57+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-11-07T16:14:24+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/ricerche.apaonline.it\/website\/wp-content\/uploads\/2019\/11\/the-voice-crop.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"4188\" \/>\n\t<meta property=\"og:image:height\" content=\"2188\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Giada Carlettini\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@APAudiovisivi\" \/>\n<meta name=\"twitter:site\" content=\"@APAudiovisivi\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Giada Carlettini\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"12 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/ricerche.apaonline.it\/en\/articles\/gli-unscripted-trend-del-2019\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/ricerche.apaonline.it\/en\/articles\/gli-unscripted-trend-del-2019\/\"},\"author\":{\"name\":\"Giada Carlettini\",\"@id\":\"https:\/\/ricerche.apaonline.it\/en\/#\/schema\/person\/34664c3113e8da2aafca68ecf8a117f8\"},\"headline\":\"The unscripted Trends of 2019\",\"datePublished\":\"2019-11-07T16:11:57+00:00\",\"dateModified\":\"2019-11-07T16:14:24+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/ricerche.apaonline.it\/en\/articles\/gli-unscripted-trend-del-2019\/\"},\"wordCount\":2445,\"publisher\":{\"@id\":\"https:\/\/ricerche.apaonline.it\/en\/#organization\"},\"image\":{\"@id\":\"https:\/\/ricerche.apaonline.it\/en\/articles\/gli-unscripted-trend-del-2019\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/ricerche.apaonline.it\/website\/wp-content\/uploads\/2019\/11\/the-voice-crop.jpg\",\"keywords\":[\"Entertainment\",\"Entertainment\",\"Mipcom\",\"Mipcom\",\"Unscripted\",\"Unscripted\"],\"articleSection\":[\"Articles\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/ricerche.apaonline.it\/en\/articles\/gli-unscripted-trend-del-2019\/\",\"url\":\"https:\/\/ricerche.apaonline.it\/en\/articles\/gli-unscripted-trend-del-2019\/\",\"name\":\"The unscripted Trends of 2019 — APA Ricerche\",\"isPartOf\":{\"@id\":\"https:\/\/ricerche.apaonline.it\/en\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/ricerche.apaonline.it\/en\/articles\/gli-unscripted-trend-del-2019\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/ricerche.apaonline.it\/en\/articles\/gli-unscripted-trend-del-2019\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/ricerche.apaonline.it\/website\/wp-content\/uploads\/2019\/11\/the-voice-crop.jpg\",\"datePublished\":\"2019-11-07T16:11:57+00:00\",\"dateModified\":\"2019-11-07T16:14:24+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/ricerche.apaonline.it\/en\/articles\/gli-unscripted-trend-del-2019\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/ricerche.apaonline.it\/en\/articles\/gli-unscripted-trend-del-2019\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/ricerche.apaonline.it\/en\/articles\/gli-unscripted-trend-del-2019\/#primaryimage\",\"url\":\"https:\/\/ricerche.apaonline.it\/website\/wp-content\/uploads\/2019\/11\/the-voice-crop.jpg\",\"contentUrl\":\"https:\/\/ricerche.apaonline.it\/website\/wp-content\/uploads\/2019\/11\/the-voice-crop.jpg\",\"width\":4188,\"height\":2188,\"caption\":\"A general view of the set of \\\"The Voice\\\", is seen in Culver City, Calif., Friday, Oct. 28, 2011. 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